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By employing the modernist devices of fragmentation, recombination, and accentuated blank space, E. E. Cummings engages singularly with being on earth. This ecological achievement was largely ignored by the New Critics, and the subsequent semiotic spirit which has been holding that the sign hardly has to do with concrete existence on earth ironically perpetuated the neglect. In this book Etienne Terblanche shows that Cummings’s ecology relocates his oeuvre and status in contemporary discourse. For, the poet follows, mimes, and connects with the unfolding changes of earthly existence and growth—what he views as the ‘Tao’ of being—in his lyricism, sex poems, satire, and visual-verbal poems. This is true especially of the elusive manner or ‘how’ of his poetry overall. Careful ecocritical reading of this active culture-nature integrity in his poetry brings about an imperative new understanding and placement of his project. It further serves to show that, in their different ways, T. S. Eliot and Ezra Pound engage with nature in a similar way, thus again accentuating the importance of Cummings’s poetic project to the neglected and vital ecocritical perception of modernism in poetry.

Nature. --- Cummings, E. E. --- Kaminjz, I. I., --- Cummings, Edward Estlin, --- Kammings, E. E. --- kamings, e. e., --- cummings, e e, --- Criticism and interpretation.

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Words Into Pictures: E. E. Cummings' Art Across Borders is a collection of ten new essays on the American poet and artist E. E. Cummings (1894-1962). Bringing together the verbal and the visual, two forms of art traditionally considered to be distinct and separate, the volume invites the reader to examine fields in Cummings studies that have been neglected or under-researched. An artist who vigorously pursued painting and writing throughout his life, Cummings may be called the William Bl...

Art and literature --- Art in literature. --- Visual perception in literature. --- History --- Cummings, E. E. --- Kaminjz, I. I., --- Cummings, Edward Estlin, --- Kammings, E. E. --- kamings, e. e., --- cummings, e e, --- Criticism and interpretation.

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82-1 "19" --- Poëzie--20e eeuw. Periode 1900-1999 --- 82-1 "19" Poëzie--20e eeuw. Periode 1900-1999 --- Concrete poetry --- Poetry, Modern --- Semiotics and literature --- Visual poetry --- Literature and semiotics --- Literature --- History and criticism --- History --- Apollinaire, Guillaume, --- Cummings, E. E. --- Marinetti, F. T., --- Schwitters, Kurt, --- Швітэрс, Курт, --- Shvitėrs, Kurt, --- Швитерс, Курт, --- Σβίττερς, Κουρτ, --- Kourt Svitters --- שוויטרס, קורט, --- Šviterss, Kurts, --- クルト・シュヴィッタース, --- シュヴィッタース, クルト, --- Shuvittāsu, Kuruto, --- Швиттерс, Курт, --- Shvitters, Kurt, --- Šviters, Kurt, --- Marinetti, Filippo Tommaso, --- Marinetti, F. T. --- Kaminjz, I. I., --- Cummings, Edward Estlin, --- Kammings, E. E. --- kamings, e. e., --- cummings, e e, --- Kostrowisky, Guillaume de, --- De Kostrowisky, Guillaume, --- Kostrowitzky, Wilhelm Apollinaris de, --- Apollinaris de Kostrowitzky, Wilhelm, --- Apolliner, Giĭom, --- Apollinair, Gkigiōm, --- Apoliner, Giyom, --- אפולינר, ג., --- אפולינר, גיום --- Lalanne, Louise --- Criticism and interpretation. --- Apollinaire, Guillaume --- POESIE CONCRETE --- POESIE VISUELLE --- POESIE MODERNE --- CUMMINGS (EDWARD ESTLIN), 1894-1962 --- MARINETTI (FILIPPO TOMMASO), 1876-1944 --- APOLLINAIRE (WILHELM APOLLINARIS DE KOSTROWITZKY, dit GUILLAUME), 1880-1918 --- SCHWITTERS (KURT), 1887-1948 --- SEMIOTIQUE ET LITTERATURE --- HISTOIRE ET CRITIQUE --- 20E SIECLE